“Heroes” Recap: Episode 3.8

When Heroes goes back in time, good things usually happen. Season 1’s “Six Months Ago” was a marvel of storytelling, weaving in backstory in a way that made audiences gasp. Tonight’s episode “Villains” didn’t quite reach those heights, but nevertheless made for an intriguing episode. Besides the stunning “Dying of the Light,” this was the best episode of Season 3. Talk about damning it with faint praise, but there you have it.

The nominal point of tonight’s episode was to provide Hiro with enough clues to take down the villains behind this season’s requisite end-of-the-world plot. His time in the past took him to three vignettes: the soap opera enacted by the Petrellis , the social experiment conducted by HRG, and the moral tightrope walked by Meredith Gordon. Let’s look at each in turn.

Petrelli Place

nup_131380_0268.JPGAh, the operatic grandeur of the Petrelli clan. It’s tough being them: what with the power, the responsibility, the constant mindwipes of your spouse. What makes Arthur Petrelli truly a villain isn’t so much his plan to blow up NYC via Ted Sprague so much as his choice to only mindwipe the sole female in his clan. God forbid he try and “persuade” Nathan to drop the Linderman case; no, he orders that Nathan get taken out. That’s overkill more than eeeevvvvviiilllll.

Soon Angela’s a Stepford wife, one blissfully ignorant of her husband’s plan to off her favorite son not named Gabriel. But Linderman sought to give her her memories back, in a scene I thought at first was inconsistent until I realize his healing of her mind was nothing more than a power grab for Company control from a man who constantly put him down. Pretty sneak, Linderman.

But this scene also provided us (and hopefully Hiro) with the key to defeating Arthur: his power seems to work via brain scarring. That sounds like a horribly lame power to have until you realize that it work to either strip away memories or turn off powers. After all, while Season 3 desperately tries to midichlorian up its powers via adrenal glands, the show’s constantly established that the brain is the locus of power. So, this scene explained how Arthur took Adam and Peter’s powers in Pinehurst, and that it’s not a permanent state depending on the situation.

Monkey Business

I can’t decide if I love or hate the fact that HRG essentially created Sylar. In some ways, it points to the hubris of the Company, and I’m all for that. But on the other hand, it completely punks out HRG and I’m extremely not for that. So, if I have the timeline right: HRG observes him not like the guy observes the gecko in those Geico commercials, essentially creates the monster who constantly threatens his own daughter’s life, and then eventually partners up with him to fight evil. To quote Timon: aaaaand everyone’s OK with this?
Know what else I’m not for? That weird vibe when Elle brought over Goth Finger Gun to Gabriel’s apartment. Had this whole “I found this guy on Craigslist and I thought we could all party” vibe that was waaaaay out there. Didn’t help that both Elle and Gabriel seemed sexually excited by the destruction of Target’s finest dishwear, either.

In any case, HRG was playing the role of Jane Goodall, with Elle as his research assistant, and Gabriel was the chimpanzee. It’s HRG’s cold, clinical, almost scientific approach that made him so effective as an agent, and yet so ill-equipped to be a father. Course, we all know what happens later.

Hot Under the Collar

nup_130965_0235.JPGOh Meredith. I want to like you, but clearly the show likes you more than I do. Because you showed up tonight, you are obviously involved in the final endgame of this season. But I think I’d rather have Micah involved more at this point than you. Also: I love me some Eric Roberts, but why did we spend a third of an episode learning how much she distrusts the Company if we know one year from now she’ll be…working for the Company?

As for Flint: I didn’t realize he was Sling Blade with a Blue Blaze, but there you have it. Perhaps her role is the neutralize him in the final battle by the power of BIg Sister. I did appreciate the nice touch of her causing the fire that spawned Claire’s first heroic act, but the rest will have to remain “wait and see” until I learn her final role in things.

***

Might sound like I didn’t enjoy it much, but the Petrelli-centric stuff was A-grade material. Really strong stuff there. The HRG/Elle/Gabriel material was interesting, but just too inconsistent if you think too much about continuity. As for the Meredith stuff…I’m willing to wait until the end of the volume before final judgement.

What did you think of tonight’s episode?

One Comment

  1. Bert Hooks
    Posted November 11, 2008 at 10:05 am | Permalink

    I think the Petrelli story showed why Angela is so vehemently against her husband. Yes, she is still so evil for helping turn Sylar into Sylar, but she’s a mommy who is after someone who tried to kill her baby. I think the HRG stuff showed us why anyone with powers was so very afraid of him. He did as he was told. Period. Doing as he was told is also why he was raising Claire. Maybe this happened before he figured out how much he loved Claire, which started his turn towards good..ish. Obviously he was taking orders from Angela when he turned Sylar into the monster we all knew and loved, since after Sylar got captured at the beginning of this season, she continued that work by feeding Sylar that girl, just like HRG fed him the dude last night.
    The Meredith stuff didn’t seem to serve a purpose, like you said. Yes, it was good to see Eric Roberts (has he ever been a good guy?) but other than that, other than Meredith being hot, I guess we will see later on if she turns up anywhere important. Although, the recent scene with her and Nathan and Tracy was pretty cool, what with her and Tracy sizing each other up.
    This was like a Lost episode that answered some questions. It was ok backstory, but it opened up a few more questions, namely, “Ok, now what?”… or “So what?”
    The main problem I see with this episode and Company Man is that they illustrate how lame some of the main cast’s story lines are. Mohinder? Who cares? Give me more Eric Roberts. Matt Parkman? How about more HRG and Elle. Hiro? What this needs is more cowbell…I mean Linderman/Angela.

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